Friday, January 15, 2010

Ill doesn't begin to cover it

As if pro snowboarder Shaun White didn't already have it made...now he's got his own personal halfpipe.




For more info on Red Bull's Project X (stats, vids, photos, tricks, etc.), the evolution of snowboarding, and the super secret halfpipe's location, go here.  The video's on the splash page, too, if you wanna see some widescreen awesome.

While you're at it, check out this hot, all-electro odyssey of a jam (courtesy of my friend John).

Mille-Crysteena (Fear of Tigers Remix)





It's Friday afternoon and I have yet to do anything with my life.  Gonna expand my collection of Wale (concert next week?  Fingers crossed) and stuff my face.  Let's hope I get out on the mountain myself this weekend with my new Burton setup.  J-Rock over and out.


"Wrist full of snowflakes, neck like a stone-age, I guess I'm a dog cuz them bitches wanna bone me."  -Trav feat. Lloyd Banks & Juelz Santana, "Ride the Wave remix"

Thursday, January 14, 2010

Late Night with Yung Berg

I've had a thing for Yung Berg since I heard "The Business" with Casha (the version without the stupid techno intro), cuz the bassline has its way of making me wanna let Berg boss me around.  His newest mixtape (cooked up with the help of DJ Ill Will and DJ RockstarThe Show, The Afterparty, and The Hotel dropped this month.  I'd categorize it as a solid compilation of sex jams peppered with some electro-experimental blurbs.  Overall, it's solid and worth a listen.  Yung Berg's got some pretty sweet flow goin that I'll like to see when it's brushed up on an album, and I'll admit there's a certain playlist that I'll be adding some select songs to...Here's a quick review of my thoughts after the first run-through.



Gotta love "Drop It" feat. Rockstar for the "Lollipop" samples, but here's the first instance of autotune on the mixtape.  It shows up a few more times (i.e. "Your Favorite Song," "Head to Toe"), and feels a little overdone when paired with overwhelming amphetamine-fed techno backdrops ("My Party").  I think autotune's on its way out, so I guess he's gotta use it while people will still tolerate it.  I've gotta say that it works for me on "In the Air" feat. K Young, though.  That'll definitely make the playlist.

Berg's got some solid flow for us, I'm impressed and will bump this shit for some serious boom-boom jams...but "What U On (I Been Gettin Money)"...Frere Jacques?  Really?  The song is saved when the beat drops and Berg comes in with the verse, but I had enough of the nursery rhyme raps when "Chain Hang Low" came out.  Though, like "Chain," I could still see people blasting this from car windows.  Fortunately, the quality of Berg's nursery experiment is much higher, so if it makes the ridiculous "hip-pop" chart, it'll probably have more staying power. 

My favorite tracks: "Blowin Money" feat. Rockstar & K Smith, "#1" feat. Rockstar (yeah I'll get corny and add this as a boner jam, don't hate), "One Chance" (solid beat, sweet flow, one of those "on my grind jams" that you can't help but love), "Be My Girl" feat. Cash, K Young & Ray J (generally killer track...funny that i love this, the drums in the back are...exactly?...the same as "The Business"), "Take It Off" feat. K Smith, "Give It To Ya" (serious flow), "Break U Off"

Yung Berg's mixtape shows that he certainly does it best in the Hotel (purrrrrr), and I don't think he'd have it any other way.

You can download The Show, The Afterparty, and The Hotel mixtape here.


"I told you I got everything you need, baby" -Yung Berg feat. K Smith, "Take It Off"

RETRACTION

I officially retract anything negative I ever said about Lady Gaga.


^ ^ frighteningly accurate/true ^ ^


"He ate my heart and then he ate my brain." -Lady Gaga, "Monster"

Super weird songs that I like

Take it or leave it!  A few weird songs that are worth checking out despite their initial freakiness.  In no particular order.

I was initially really creeped out by this song.  Throwing sticks at magpies?!  What the eff?  Karin Dreijer Andersson (of The Knife) brings her chilling broken notes to a beat that you can't NOT do the robot to. 

GREAT song, solid band.  I only say it's weird because the vocals take some getting used to.  An oddly happy yet melancholy jam.

Only weird if you don't get the whole dubstep thing.  Phenomenal song, sexy bass.

Sick, sick jam.  Off of Queens of the Stone Age's Rated R, a pretty epic album to say the least.  Back when Josh Homme teamed up with Nick Oliveri for some intense, screamy vocals (here paired) with the Kyuss-y crunch of low-tuned axes.


That's all for now.  Eat it up.

"Magpies, I throw sticks at them...they laugh behind my back." -Fever Ray, "Triangle Walks (Tiga's 1-2-3-4 Remix)"


Thursday, November 19, 2009

Just what the doctor ordered

Eminem's Relapse wasn't quite what I expected...so thankfully he's set to re-release the album--the original twenty songs along with seven new tracks--on DECEMBER 22ND. Fingers crossed that Relapse: Refill will have a little bit more of the old Shady (his bit on Drake's "Forever" brought me back to his glory days).

Here's the VIBE article that got me pumped about it.

Also, according to an article on sixshot.com, Em's still planning to drop a second installment of Relapse...vs. the re-release we'll be hearing around Christmas. Hopefully this is five years' worth of pent-up genius he's been waiting to unleash on his adoring fans, vs. the fame-whore quality that's killing the radio for me day by day (honestly, what happened to Weezy?).


"Holy whack, unlyrical lyrics, Andre! You're fuckin' right!" -Eminem, "Business"

Thursday, November 12, 2009

Fucking Crazy: The Best Rapper Alive is White

Almost forgot about this. Why not post it? No one reads this shit anyway.

***

I recently talked with a mixed-race friend of mine. We shot the shit, classes came up and I told him about Hip-Hop Journalism. He then proceeded to tell me that he had taken a similar class—and had chosen to write his final paper on “why white suburban kids love hip-hop.” Fitting the bill of his subject so precisely made me feel a bit vulnerable. I voiced this to a fellow white hip-hop lover at lunch recently, to which the waspy Texan quickly responded, “The same reason we love Mafia movies.”

I have to admit I see his point. I identify as an (Irish-)Italian. Some of my distant cousins and uncles are indeed mobsters, but I don’t see Mafia movies as my own direct culture. I’m not running drugs, bookie operations, or giving people the cement shoes. I’m the generic white girl just trying to get by in school to a soundtrack of face-melting metal, indie prog-rock, and hip-hop music I can’t live without.

Still, I can’t help but question what right I have to listen to, to love hip-hop. Middle-class, white, college kid. I suppose the rights I have to hip-hop are the same as those I claim to metal: I feel its anger and it soothes my own (though they may stem from very different sources), and I simply love the music. The beats. The way the words pour out over the samples with such ease, the sneering, rolling cleverness that makes you wish you had the authority, the words, the wit to pull it off yourself. I find solace in my favorite rapper—my music collection currently sports about 800 songs rapped, featuring, or produced by him—who just so happens to be white as well.

Eminem was voted the best rapper alive by a poll run in Vibe magazine in 2008.

He hadn’t released any major albums since 2004’s Encore, and was certainly not in the spotlight as much as the biggest music slut out there, Lil’ Wayne, or Jay-Z, the on-again off-again rap retiree. So how did Em pull it off? What is it about him that keeps his fans patiently waiting for the next track he’ll explode on?

Let’s take into account that he’s white. He put it all on the table with “White America,” letting everyone know that the blue-eyed, blonde white kids were eating his shit up because he “looked like them,” but not necessarily because they had similar upbringings. Though white is considered a majority in America, I doubt that the white kids were ballot-stuffing the Vibe poll. It’s simply not that kind of publication. I have to trust that the audience would be more balanced because the hip-hop audience itself is so widespread.

Eminem’s greatness stems from the simple fact that the dude is a genius. Upon asking a buddy of mine what he thought of Em, he replied, “…he’s funny,” and shrugged. Sure, he’s funny. He loves irony. He loves causing a scene and shocking people with his songs because that’s what his whole career has been about. Let’s face it, the odds weren’t with him from the beginning: a bleached-blonde white kid trying to make it in the rap game. He knew it, he knew he could make it, and he wanted to say a big “fuck you” to the haters. His newer stuff is hot (The Eminem Show is still one of my favorite albums), but take a minute to listen to his old shit, his freestyles. The latter is the ultimate testament to his talent.

How the hell can a high school dropout come up with this stuff off the top of his head? The vocabulary, the style and flow, the metaphors, Eminem has it all. It doesn’t matter that he’s white. He’s proven that with his success and the respect he’s gained from his Black rapping counterparts. Em has completely broken every rap barrier. So the next time you hear Lil’ Wayne, or anyone else, claim he’s the “best rapper alive,” think of Eminem, whose fans gave him the title he’d never claim for himself. Yeah, he’ll diss the guys who give him shit, but take his response to the award: “I don't think that there is any one rapper that is simply the best [though]. Everyone who was in consideration and many others are the best at certain things, and at what they do.” Slim Shady? A modest, talented genius?

I’m in love.



"I don't promote violence, I just encourage it" -Eminem, "Hazardous Youth"

Could the casket drop now? Please?

Been playing The Clipse's Road to 'Til the Casket Drop like an album since last year.

RELEASE DATE: DECEMBER 8TH!!! Can't come soon enough. Check a single: The Doorman. Seems a little more clubby (I will never venture to say "mainstream" about The Clipse. Especially in the world of techno-y hip-pop that has been slowly destroying the radio for me) to me than their old stuff, but I don't hate it. The Neptunes are still on top of their game with the beats, that's for damn sure, and Pusha and Malice have still got it.

The Clipse-The Doorman vid

To tide you over til December...

The Clipse-The Doorman


"We did it in a flash like paparazzi" -The Clipse, "The Doorman"